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 Collection > Volume 15 Numéro 3 (2005) > Souvenirs > Darmstadt as Refectory (Mess Hall)AbstractJohn Rea followed up his term as composer-in-residence in Mannheim with an immersion in the 1984 summer courses. Here the Canadian composer relates a series of anecdotes, which include his surprise at being recognized (or actually not recognized) as the composer of Pincer la musique aujourd’hui, and his subsequent attendance at a concert of Xenakis’s music accompanied by Morton Feldman, who later shared a number of secrets with him. This leads the author to a reflection on the Darmstadt of his generation, and that of today. Cet article n’est pas disponible en ligne. Pour acheter la revue incluant cet article, utilisez l’encadré de commande qui se trouve au haut de cette page. |
article@15_3_3.4 générée par litk 0.600 le mercredi 14 juillet
2021.