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Collection > Volume 14 Numéro 3 (2004) >

Frank Zappa’s Legacy: Just Another Hoover?

Ben Watson

Abstract

In “Frank Zappa’s Legacy: just another Hoover?”, Ben Watson reveals that when Frank Zappa referred to his “œuvre” towards the end of his life, he pronounced the French word like “Hoover”, the world’s most famous brand of vacuum cleaner. Watson’s essay starts with the proposition that Zappa’s œuvre is indeed a Hoover, a critical manoeuvre appropriate for Zappa’s Dadaist disdain for cultural values. Establishment critics currently praise Zappa’s “genius” as a composer, but this removes the critical sting of his records. In fact, what made Zappa special was his recognition that both commercial commodification and the heritage industry (concepts of “genius”) repress desire and suppress music. In a detour into literary and psychoanalytical theory, Watson’s zappological algebra reaches the equation: Stéphane Mallarmé + Wilhelm Reich = Frank Zappa. After an art-historical examination of the Hoover motif in Zappa’s œuvre, Zappa’s heritage is assessed today: Project/Object, the Muffin Men, The Simpsons and the improvising trio of Eugene Chadbourne, Jimmy Carl Black and Pat Thomas are singled out for praise.

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Page article@14_3_3 générée par litk 0.600 le mardi 23 juillet 2019.
Conception et mise à jour: DIM.